See More Your browser does not support the audio element. Find album reviews, songs, credits and award information for All Hits at the House of Blues by Raphael Saadiq on AllMusic - 2003 - No one can fault punters for being suspicious of. British soul star Joss Stone is racing to explain a saucy photo in the booklet accompanying her new album - because fans think it confirms a romance with producer Raphael Saadiq.The sexy singer. Regardless of whether or not Kelis is one of us, we clearly don't appreciate her enough. On some other planet, at least ten other songs here hit the Top Ten. Lead single "Milkshake," a coquettish playground tease, is the brightest moment of all built around blaring synth-funk stun riffs, pitter-patter hand percussion, and a singalong taunt of a chorus, it's every bit as suggestive as Vanity 6's "Nasty Girl," the Mary Jane Girls' "In My House," and Monifah's "Touch It," with all three serving as musical - not just lyrical - points of reference. Just the same, the favorable quality level is another recurring characteristic, with only a couple miscues thwarting perfection (you're hereby advised to skip past "In Public"). Despite all the new assistance, Tasty is formatted much like Kaleidoscope and Wanderland, constantly swinging back and forth between bouncy pop and laid-back (not throwback) soul. That set the table for Tasty, which actually involves less Chad and Pharrell, who produce only five tracks this time around Dame Grease, Dallas Austin, Raphael Saadiq, Rockwilder, and Andre 3000 pick up most of the production duties. Just before slipping completely out of view, the Neptunes set her up with Star Trak and dusted off Wanderland's "Popular Thug" - with Pusha T wiped off in favor of new verses from new fiancé Nas - for their Clones compilation. by Virgin, even though it was every bit as fresh and rainbow-dappled as her debut. From a commercial standpoint, this has worked to a disadvantage: Wanderland, her second album, wasn't even released in the U.S. Raphael Saadiq came up in the 80s and 90s with the multi-platinum R&B group Tony Toni Ton before embarking on a critically acclaimed solo career. The album features contributions from Brook D Leau, Kendrick Lamar, and Ali Shaheed Muhammad. Otherwise, Kelis is as down-to-earth as they come she just doesn't fit the mold of what has been expected in a female R&B artist the past few years (or ever). Jimmy Lee was self-produced by Raphael Saadiq and recorded at Blakeslee Recording Co. And it's safe to say that none of her contemporaries would've ever thought of screaming something like "I hate you so much right now - uuuugh!" for the chorus of a debut single. Maybe the orange-hair-and-body-paint photo on the cover of Kaleidoscope didn't help. Kelis has shown how deviating from the norm can get you pegged falsely - in her case, as an extraterrestrial being the Neptunes had beamed down from another planet.
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